Publikationer
Här ser du de senaste publikationerna från Institutionen för musikvetenskap.
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(2021).
Shaping a Written and Sung Vernacular: Translation of Liturgical Texts in the Swedish Reformation.
I Johan Franzon, Anjo Greenall, Sigmund Kvam, Anastasio Paranou (red.) Song Translation Studies Berlin: Frank & Timme. -
(2021).
When Courtly Song invades History: Lyricising Blanche de Castile.
I Rachel May Golden and Katherine Kong (red.) Gender and Voice in Medieval French Literature and Lyric . -
(2021).
Eye, Mouth, and Ear: The Female-Voiced Contrafacta of Can vei la lauzeta mover.
I Anna Kathryn Grau and Lisa Colton (red.) Female-Voiced Song in the Middle Ages . -
(2020).
Mourning a dead Queen. The music at the funeral of Ulrika Eleonora the Elderin Stockholm (1693).
I Marina Toffetti, Gabriele Taschetti (red.) Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, Krakow: Musica Iagellonica. 247-263 -
(2020).
Roms underverk: förgängliga klanger i den eviga staden.
Tidig musik -
(2020).
I centrum av Roms musikliv: de påvliga sångarna.
Tidig musik In press. -
(2020).
Arde Fillis / Isti sunt: a contrafactum by Gustav Düben based on a madrigal by Stefano Landi, and previously attributed to Giacomo Carissimi.
I Marina Toffetti, Gabriele Taschetti (red.) Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, Krakow: Musica Iagellonica. 187-208 -
(2020).
Two musical theories of Sven E. Svensson reconsidered: 'Tension of fifths' and 'Intervallic pulse'.
Swedish Journal of Music Research, 101: 165-184 -
(2020).
Pestens musik.
Anekdot -
(2020).
Sven-Erik Bäck.
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(2020).
Libraries and Archives.
I Michael Allis, Sarah Collins, Paul Watts (red.) Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century, Oxford: Oxford University Press. 249-270 -
(2020).
Arbete med psalm: Text, musik, teologi.
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(2020).
Vocal Figurations: Technique, Technology, and Mediation in the Gendering of Voice in Twenty-First-Century Pop Music.
Diss. -
(2020).
Can Melodies be Signs? Contrafacture and Representation in Two Trouvère Songs.
Early music DOI -
(2020).
Förstelning eller förnyelse? Beethoven 250 år.
Signum , 12-16 -
(2020).
Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci.
Music & Letters DOI -
(2020).
Re-using pre-existing music with new texts: Repertoire for court and church in seventeenth-century Sweden.
I Marina Toffetti, Gabriele Taschetti (red.) Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, Krakow: Musica Iagellonica. 209-245 -
(2020).
The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe.
European history quarterly, 50(3): 572-574 -
(2020).
Symmetry and a Template: Bach's Well-Tempered Clavier and Chopin's 24 Preludes, Opus 28.
I Szymon Paczkowski (red.) Chopin and the Baroque Tradition, Warsaw, Poland: The Fryderyk Chopin Institute. 51-86 -
(2019).
Popularisering av musikhistoria och ”klassisk musik”: tre aktuella böcker.
Svensk tidskrift för musikforskning, 99